Macbeth coursework Essay

We know that lady Macbeth is not calm in the beginning of act 2 scene 2 because of all the factors used to create tension and an eerie surrounding, these are it is dark, some one has just gone to murder the king and the owl shrieking. She will also be on edge and continually watching her back, this will be because Macbeth has just gone to murder the king, and if it goes wrong everything points to them and they will be executed for treason. To calm her down she has a drink, ‘that which hath made them drunk hath made me bold†¦Ã¢â‚¬â„¢ this shows she has had a drink to make her courageous. To add even more tension to this already tense scene the speech speed dramatically increases, ‘When?’ ‘Now.’ ‘As I descended?’ You can tell the speed increases allot because they don’t say more than three words to each other in this banter at this point in the scene. When the two actors playing this scene are acting they should be moving around in synchronised circles around the stage and express their speech in hand movements. After this they move onto a different subject, Donaldbain, the king’s son. The whole of this scene should be spoken not to loud but not to quiet because it is so early in the morning that it is dark, and everyone in the castle apart from them two is asleep. Macbeth then starts to tell Lady Macbeth that he heard the two guards and other voices praying and talking to him, ‘There’s one did laugh ins sleep, and one cried murder!’ he is telling Lady Macbeth about his hearings in this quote. Lady Macbeth believes him but does not want him to develop on these thoughts and move on, ‘consider it not so deeply.’ She is now telling him to move on to another subject and carry on as normal. She could be a bit worried about her husband Macbeth, ‘these deeds must not be thought†¦Ã¢â‚¬â„¢ she is worried that he is dwelling on this subject too much for his and her own good,’ it will make us mad. ‘ This sentence is very ironic because in the later stages of the play it comes true, this comes true because lady Macbeth goes around washing her hands thinking there is blood on them but there actually isn’t. This ends in her committing suicide. She could also be trying to comfort him, ‘What do you mean?’ she could be trying to get all of his bad feelings out of him and out in the open so she can deal with him. This could also lead to it being easier for her to manipulate him by exploiting his weaknesses. The stronger character in this scene and the whole time she is in the play is Lady Macbeth in the way she controls her whole surroundings to the way she wants, ‘these deeds must not be thought†¦Ã¢â‚¬â„¢ in this part of the play she is in controlling she is literally telling him what to think. There is a great warrior who has killed many in battle is putty in his wives hands, she can mould him into feeling and doing what she wants. Macbeth starts to show a little amount of backbone in the middle of the scene, ‘Ill go no more.’ This is when he confronts her and tells her he won’t do anymore when she tells him to put the daggers back and smear the blood on the guards. Earlier at the beginning of the scene when Macbeth returns from the murder of the king he brings back two crucial pieces of evidence that links them to the murder. The plan was to kill the king with the guard’s daggers and return the daggers after smearing the blood on the two guards to frame them. He does all of this apart from the returning the daggers. When Lady Macbeth realises this she is furious,’Infirm of purpose!’ She raised her voice severely, to prove how angry she is. She is saying to him that he can’t do the simple job he was told to do. So because of this fault it looks like the guards are innocent and they wanted to frame them. When Lady Macbeth goes to return the daggers this shows us she is not a normal women in accordance to those times,’ I’ll gild the faces of the grooms withal†¦Ã¢â‚¬â„¢ this shows us she is not afraid to stare In the face of death and smear the faces of the guards which she has manipulated her husband to do. This is very strange because when this play was made the country was a very Christian and to murder a man in cold blood was a very serious offence let alone blame the murder on his own guards. Lady Macbeth is not a normal as we know because earlier in the play when we first see her in act 1 scene 5 she calls upon evil spirits to make her more of a man than a woman. When Lady Macbeth returns from smearing the blood on the guards she says,’ A little water clears us of this deed.’ She is basically saying that all it needs is a little bit of water to clean their hands then they are in the clear of the murder. This sentence is also ironic because when Lady Macbeth gets mentally ill in the later stages of the play she thinks her hands have blood on them so she continually washes them thinking the blood is still there even though there is none there. The way that Lady Macbeth is portrayed throughout the whole play from Act 1 scene 5 till she commits suicide is she is an opportunist; she sees the opportunity that Macbeth can become king so she pushes him and manipulates him to think he is the rightful king. She will also do anything to be crowned queen alongside him. She is also shown as very devious and a manipulator this is shown as she controls the best Scottish warrior is like a dog and she is the owner she tells him what to do and he does it, or a puppet master and the puppet. She also manipulates the noblest warrior to kill in cold blood. She is shown most of the way through the play as the more prominent and powerful character of all the characters in the play. I think that Shakespeare tried and succeed in personifying the devil in Lady Macbeth in the way she controls her environment to her advantage. What I thought of Lady Macbeth in the first time we see her when she reads the letter from Macbeth was that she was an elegant woman nothing like she turns out to be. But after she hears the prophecy about Macbeth becoming the king it is like an on/off switch to turn on or off the evilness inside of her. She believes,’ He is too full of the milk of human kindness.’ Meaning he is too kind to do any of the deeds he has done so far. Straight away she is scheming and wanted him to hurry home so she can,’ Pour my spirits in thine ear.’ Basically she wants to poison his mind.

Philosophy Essay Essay

Alan Chalmers, a British-Australian philosopher of science and best-selling author, suggests a common view of science by which scientific knowledge is ‘reliable’ and ‘objectively proven’ knowledge that is derived from facts of experience, experimental procedure and observations. This essay aims to discuss the problems that are likely to be highlighted by a Popperian hypothetico-deductivist when confronted with Chalmers’ adverse views on the validity of the scientific method. Both Alan Chalmers and Karl Popper – renowned for the development of hypothetico-deductivist/falsificationist account of science – represent the two major, contradictory theories (falsification and induction) regarding the functionality of science. I will be structuring my argument around these two models and the several complications surrounding the inductivist’s account of science that are seemingly solved by Popper’s alternative. In order to gain a thorough understanding of the topic being discussed, let me provide an introduction to inductivism, the issues raised by this method and the falsificationist account that aimed to solve these issues. Introduced by Ancient Greek philosopher, Aristotle (5th century BC), induction is a process that begins with the observation of natural phenomena and ends with the assembly of a scientific law to describe the general regularity of said phenomena. This intuitive process was accepted within the scientific community for centuries yet the basis of Aristotle’s method relies entirely on human ability to simply observe natural phenomena, see a pattern and make observational statements. If there were to exist a large number of observational statements that were repeated under several varying circumstances in which no conflicting observation was made, these observational statements could then be promoted to universal or generalised statements that refer to all events of a particular kind given certain conditions (SCIE1000 Lectures Notes, 2014). Now to address the problems associated with this account of the scientific method that might be pinpointed by hypothetico-deductivists when confronted  with Chalmers’ view: the problem of induction, the questionable objectivity of this method and whether it can provide any certainty about laws that govern our universe. Chalmers states that, â€Å"scientific knowledge is reliable knowledge because it is objectively proven knowledge (Chalmers, 1976).† Due to the fact that inductive inferences are based on observations of natural phenomena, a crucial assumption of the uniformity of nature – which cannot be proven – must be made, meaning that there is always room for contradictory evidence to arise. Similarly, the problem of induction refers to the inability to classify knowledge gained by inductive methods as either a priori (logical or mathematical reasoning, requiring no previous worldly experience) or a posteriori (requires some knowledge of worldly happenings) as the former would be an uninformed, irrational statement and the latter would require knowledge of every possible happening in the universe in order to justify the law at hand. For this reason, there is absolutely no certainty provided by this process, as there is always the probability that future contradictory observations may deem any inductive inference invalid. The weakened principle of inductive inference then states that, at best, the inductivist method gives a probability of an event occurring given specific circumstances (SCIE1000 Lectures Notes, 2014). Chalmers also boldly claims that his common view of science is unquestionably objective and that speculative imaginings play no role in this process; however, there is obvious subjectivity evident in the discovery of scientific hypotheses. The subjectivity of speculative imaginings expressed by an individual experiencing a brief moment of intuitive thought processes allows consideration of an hypotheses that may have otherwise been overlooked. As a response to inductivism and the problems recognized with this method, Karl Popper proposed a knew scientific method that aims to establish the best current ‘law’ available at a given time until it is falsified – hypothetico-deductivism or falsification. The name itself, hypothetico-deductivism, explains the process of stating bold, testable ‘laws’/hypotheses and drawing deductive inferences regarding the hypothesis’ ability to withstand exposure to rigorous testing and attempts to falsify  it. So, rather than attempting to prove the legitimacy of scientific laws fabricated by intuitive induction, falsificationism aims to deduce the best, current law to describe natural phenomena based on the inability to falsify it, therefore making the current provisional law acceptable until a time when it is falsified by conflicting evidence. Falsification effectively trumps the method of induction as it strives to provide information about the world and its ‘laws’ by outlining what they are not rather than making grand generalisations about universal happenings when acknowledging only a portion of the evidence that could possible be out there. Unfortunately, due to the complex nature of science, similarly to inductivism, falsification is not a flawless method. In my opinion however, I find the method of falsification convincingly more rational and commonsensical than inductivism. Due to limitations of space, I will explain briefly one of the few issues associated with falsificationism. The issue at hand that is faced by the method of falsification is that, â€Å"Popper presents cases where one theory is being tested against our experimental data, but hypotheses are tested in groups. When we â€Å"test† a theory, we are assuming a lot of other theories in the background (SCIE1000 Lectures Notes, 2014).† The issue then is that if anomalous data is encountered, should it be derived that the entire theory – consisting of several individual hypotheses – is rejected and if not, how is an individual hypothesis isolated from the rest? This rejection of a theory, in my opinion, doesn’t have detrimental affects to our understanding of science as this particular theory may be falsified yet the creation of a new, falsifiable theory is not out of the question. Also, unlike Chalmers, however, falsificationism does not claim any degree of certainty or ‘proof’ of their claims which compels me to believe that Popper had a greater grasp on the uncertainty that is the universe. Conclusively, Popper’s response to Chalmers’ claim that science is reliable due to its objectively proven nature using inductivism would highlight three key issues and propose how his method of falsification solves these issues. The problem of induction that occurs within inductivism – the inability to classify inductive inference as either a priori or a posteriori – and also  the assumption of uniformity of nature are abolished in Popper’s method where all scientific laws have the ability to be falsified upon the observation of new, contradictory evidence. Although falsification is unable to provide any degree of certainty, it does not make bold claims about the workings of the universe that are likely to be uniformed and incorrect. And lastly, objectification is dismissed in falsification, as the method by which a hypothesis was created is irrelevant to whether or not the claim can be provisionally accepted or rejected based on real-world observ ations. Bibliography Chalmers, A. (1976). What is this thing called science?. 1st ed. St. Lucia, Q.: University of Queensland Press. SCIE1000 Lecture Notes (2014). 7th ed. Brisbane: University of Queensland, pp.187-225.

Billy Elliot Movie Review Film Studies Essay

Billy Elliot Movie Review Film Studies Essay Billy Elliot was on set during the UK miners strike in 1984- 1985. At that point of time, most families like Billy s believed that guys who danced are gays and that dancing are only meant for girls. However, guys made a history on stage instead of women. There is a stereotype view whereby a male dancer is gay, but in the movie, the character that plays the gay role, is not a dancer and that the one who is not gay became a dancer. This relates to the history of dance where male dancers were the ones who ruled the stage before the female dancers and that they were not gay where as those who were gay were not dancers. In the movie, Billy s friend Michael Caffery was the gay as he slowly developed feelings for Billy. However, Michael is not a dancer and dance was not an interest for him. He only supported Billy and encouraged Billy to pursue his dreams. Despite having men who danced in history, many later believed that guys are gays if they danced as ladies changed history when they dom inated the stage later on. In the movie, it was on set during the UK miners strike, this was a time when the peasants weren t doing very well financially. this could be seen in the village where the people lived. Billy s family lived in a house where there isn t room of every single person in the house, like Billy had to share a room with his brother Tony. This could be compared to the more well to do families in the different part of the village at Stepharina Chan 2 that time, was Billy s ballet teacher Georgia Wilkinson who lived in a pleasant looking house and drove a car. Billy s ballet teacher, Georgia belief in Billy gave Billy the chance to train for an audition for the royal academy of dance. As compared to Billy, he wanted to join the academy and audition for it, however, money was a big issue to him and also the fact that Billy s father, Jamie Elliot and Billy s brother, Tony Elliot were miners who went on strike and only gave Billy money for boxing lessons, they did not e xpect Billy to start dancing. As the both men were always not home, Billy had to take care of his grandmother, Billy has a responsibility to consider, Despite Georgia s interest in having to support Billy for the ballet school. At that period of time, people did not support the arts but as time passes and things change, arts developed and now, more people even come governments supported the arts industry. It became easier for anyone to join the arts with a passion and interest of their own and not according to what makes their families happy. In the beginning of the show, Jamie Elliot was quite puzzled as to why Billy liked to dance where the dance classes only had girls and that the other boys were happy going for boxing classes. As men started the history of dancing, yet at this period of time, men dancing became an issue and a problem. As dance hit the romantic era, ladies dominated the stage and men were just like status on stage as their only purpose was to lift the ladies in p artner work. As time slowly passes and men were rarely seen on stage, people tend to forget the past and believe to what was seen right then and now. The image of men being a dancer on stage was a joke at that period of time when Billy wanted to

Catastrophism or Uniformitarism Essay Example | Topics and Well Written Essays - 250 words - 1

Catastrophism or Uniformitarism - Essay Example From this perspective, the general amount of resources that has been incorporated into geographical studies is quite huge. Researchers develop initial findings where developments continue to explain on a certain sequence. i) The two scientists, who came up with a new geographical phenomenon might as well not only cause unending controversy, but a consequent period of regret for all the involved professionals. Apparently, such kind of possible ideas that might have been neglected at the very start of the development of evolution theories would result into a whole new understanding of the earth. ii) Just as resources were allocated for the Georgian theory, so should necessary authorities address this upcoming idea; its strength, proof and influence might give a realistic approach to catastrophes. The possibility of craters that made an impact over 250 million years ago would result into a new definition on the aftermath that the then species experienced. It might be a sad situation for a majority of the geologists, consequent blame among themselves, for basing their ideas on one orientation without consideration for the contrary. iii) According to Rampino, the effects discussed could be due to a huge catastrophe as asteroids could have caused dust expulsion that would have resulted in loss sunlight and could have caused a drop of temperature and chilliness, which, in turn, could have led to extinction of life on Earth for a considerable period of time. However, numerous scientists argue that these mysterious changes could explain the gravitational pull in all circular geological structures and the entire underground. It is a difficult situation, not only for the two scientists fighting for their theory, but also to the geographical institutions globally. Earthquakes, volcanoes, batholiths, loppoliths, dykes, craters, plateaus, mountains among other geographical structures, might have a very

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Answer the questions in Bold - Essay Example Resultantly, employees cannot be guaranteed a basic level of coverage from their employer. Three government programs are in place to assist high-risk members of the population with access to health care (Home, 2013). Medicare is a federal program for people over 65 (sometimes younger with approved disabilities) and provides short-term care insurance. However, most drugs and long-term service costs are not affected by this system. Medicaid, which is both federally and state funded, supports the portion of the population with the lowest amount of resources. This program tends to apply to a wider range of services than Medicare, though regulations vary from state to state. SCHIP is another large plan, and provides insurance for children of families with low income, but not low enough to qualify for Medicaid. Some smaller state-specific programs also extend coverage to specific subpopulations. Despite the presence of the above mentioned programs, a large portion of the US population remains without coverage (Americas Health Insurance Plans, 2013). Those who make too much for Medicaid, and are too young for Medicare, may find themselves exposed to the immense burden of health care costs. Drug expenses are especially cumbersome, as many employer programs (and otherwise) tend to focus on the delivery of hospital services. The restricted availability of insurance results in a great imbalance in health care utilization between various segments of the population (Young & DeVoe, 2012). The most services are accessible to (and are accessed by) the wealthiest members of society, due to the increased likelihood of quality employer coverage, as well as the ability to purchase insurance at a premium (an unreachable luxury for much of the middle class). The oldest and poorest people in the US have some coverage due to government programs, but cannot always take advantage of these opportunities due to other barriers to access, like

Client Letter-acc568 Assignment Example | Topics and Well Written Essays - 500 words

Client Letter-acc568 - Assignment Example Therefore, the amount of total tax paid for international transactions of corporations depends on the manner by which deductions and incomes are sourced in the countries where the transactions are taking place. However, I will try to break down the U.S source rules for incomes and deductions. As you know, the U.S government takes these matters seriously and I have every intention of addressing all your issues expertly (Yonah, 2007). According to Dykes, with regards to taxation of source income and deductions, the U.S government adopts a taxation methodology known as the worldwide approach. As indicated by the name, the approach involves taxing the income of the globalized corporation regardless of the source of income, whether the source of the income is foreign based or locally based in the U.S. Under this methodology, your company will face the tax burden that locally based companies are subject to (Dykes, 2011). Therefore, your company will have to allocate its global capital on economic factors rather than tax considerations. In retrospect, your company will promote global efficiency in connection to capital allocation. Unfortunately, the advice your friend gave you is misinformed, but do not despair because there are ways to reduce the amount of tax that your company is going to be liable to the IRS. As per your request, there are a few ways that your company can mitigate tax impact form the U.S with regards to income sourced from foreign nations One such method is keeping active income from foreign sources in offshore locations up to the time when your company wants to repatriate the income back to the U.S. Income arising from your foreign based branch/operations is only going to be taxed until it is repatriated via dividend distributions in your U.S based head offices. This is known as deferral tax. In addition, the U.S allows companies such as yours, a tax credit for

Asda and Tesco - Restructuring to reflect multichannel markets Coursework

Asda and Tesco - Restructuring to reflect multichannel markets - Coursework Example adership, it is still not clear on the nature of leadership and how it relates to other variables including performance satisfaction and commitment of the employees. Moreover, there is a difference between leadership and management. A manager involves him or herself in planning, organization, staffing, controlling, and directing (Rumsey 2013). Leadership, on the other hand is more concerned with influence. One may be a manager but fail to be an effective leader. The ability of a leader to influence others is based on various factors, which if well followed would lead to the achievement of the goals and objectives of an organization. There are various theories that have led to the development and influence on the leadership and management business environment in the 21st century. They include: George Graen introduced this theory back in the year 1970 together with his various colleagues (Rhodes & Hart 2014). However, the theory have been adequately revised and changed in the subsequent years since 1970. It focuses in trying to determine the type of relationship existing between the leader and the subordinate staff thus coming up with effective outcomes. As a result, it is able to determine whether the leader and the subordinates will be in a position to develop good working relations that will ensure that the organization achieves its desired goals (Riggio & Harvey 2011). Though the leader treats the subordinates differently according to the relationships they have and the job performance. The leaders establish close relations with some leaders while fail to do so with other subordinates. Those with close relations with the leader have relationships build on trust and mutual respect. They are always involved in important decision making of the organization. As a result, they are well motivated and that matches up with their job-performance. Those employees who the leaders are not so close with are always left out of decision making of the organization. As a

How social media is changing advertising models Essay

How social media is changing advertising models - Essay Example Marketers currently use social media to catch up with the digital customers, letting go the traditional advertising models, and adopting the new ones that involve marketing online via the social media. It is evident that the digital migration, specifically the current use of social media does have a growing role in marketing that changes the advertising models, this in turn has implications on how channels, consumers, and companies perform. Unlike in the past, customers can now give their feedbacks about a certain product, feedback visible to other agents, these agents include the channel partners, the competitors, and even other companies. The main impacts on the advertising models include the fact that social media allows reviews about certain products (online reviews and ratings) impact different metrics. These metrics include the brand evaluations, consumer ratings, the company performance, consumer purchase conversion rates, and the organizations value. Many of the new advertising models adopted by many organizations include "customer feedbacks," in the past the customers did not have much freedom to give feedbacks about a certain product (Evans). Currently, social media for advertising the customers the freedom to rate a certain product that to some extent defines the major characteristics of a firm. The past advertising models focused on the four Ps, social media to some extent brings in another P, which stands for the "people," which is deeper, broader, and more profound than the consumer targeting is. Social media changes the way people interact among themselves, they play a major role as creators, advocated, critics, transmitters, and transformers of messages. Not long ago, the introduction of TVs in the industry changed the advertising models used in the past, but the introduction of the internet, social media, and the use of mobile phones made them even better. The online social environments, including the social

Discussion Questions Assignment Example | Topics and Well Written Essays - 500 words - 18

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Occupied America Essay Example for Free

Occupied America Essay The logic of â€Å"Not just pyramids, Explorers, and Heroes.† The main purpose of this chapter is to explain the evolution of the Mesoamerica civilizations through the Preclassical and Postclassical periods, explain the evolution and impact that agriculture had during the first stages of the civilization and how that fact was the main factor of the change from nomads to sedentary and also to describe the changes in the development of the classes and differences of gender and the creation of the â€Å"cities† and urban centers. Everything explained chronologically to a better understand of the topic, evaluating every aspect of the culture, as the author says â€Å"Time represents the knowledge a people have accumulate.† (2) What the author was question I think in this chapter was the main characteristics of the most important or more highlighted cultures in Mesoamerica, talking also briefly about the similarities whit other civilizations around the world but putting more attention that what the â€Å"evolution† or progress of people in Mesoamerica means because he talks from the Olmecas to the Aztecs and some other cultures that were an important part of the history of those civilizations and the generation of a new urban population as stated â€Å"Food surpluses made possible â€Å"specialization of labor† and the development of complex social institutions such as organized religion and education.† (2) I do believe that the most important information that we have to remember are not necessarily the exact time or the exact characteristics of each civilization but which one was first and which one appeared later chronologically, by an example knowing that the Olmeca’s are known as the mother culture because it is known as the oldest culture of all, and then the Mayas appeared with some similarities in their hieroglyphics and some traditions, or as how the religion and beliefs about Quetzalcoatl of the mother culture was expanded towards some other civilizations of Mesoamerica, and not stopping here but also remembering the importance of each of one and also their differences. Getting to understand their progress through the time, and how this civilizations developed a new urban system by creating centers and actual cities formed not only by pyramids but also homes and schools, how is that their progress created a society that advanced. And also the changes every culture ha d by how the hierarchies worked and how some people were more powerful than others by the â€Å"primogenitor† right.

The Impact Of Airline Alliances Tourism Essay

The Impact Of Airline Alliances Tourism Essay At this moment, there are three main airline alliances around the globe. First of all, Star Alliance, which was created in 1997 and currently consisting of 27 member airlines (Star Alliance, 2012). Second, OneWorld, established in 1999 and presently having 12 members. Last, the youngest airline alliance is SkyTeam, formed in 2000 and consists now of 18 member airlines (SkyTeam, 2012). In the first chapter of this paper, the impacts of airline alliances on their members will be discussed. Second, the effects of allied airlines on non-member airlines will be argued. And finally, the influences of airline alliances on the airports they fly at will be explained. In each chapter, both positive and negative influences will be discussed. 1. Impacts on member airlines Positive impacts on member airlines Airline alliances have several positive impacts on their member airlines. In this paragraph, three examples of positive impacts will be explained. A first positive impact can be found in saving the airlines costs on various areas. For instance, when buying aircraft materials for maintenance purposes, member airlines can reduce the total costs by purchasing these resources together and may receive bulk discounts. The same counts for the bulk purchase of aircraft. For example, in 2003, four members of Star Alliance intended to bulk purchase up to 200 standardised regional aircraft (Doganis, 2006, p. 93). According to Doganis (2006), it is estimated that joint purchasing can cut the prices paid by up to seven per cent and eventually reducing the total invoice by up to a billion dollars every year (p. 93). Furthermore, the joint use of other services, for example ground handling or catering facilities, can also help in reducing airline costs (Bissessur Alamdari, 1998, p. 335). A second positive impact on member airlines can be retrieved in the increased passenger traffic. The cause of this increase is generally caused by the extension of the airlines network by using code-sharing (Bissessur Alamdari, 1998). Code sharing is beneficial for both the selling airline and the operating airline. On the one hand, it is advantageous for the selling airline as it is selling a ticket of the operating airline under its own designator code. This means that the selling airline gained access to new markets without having to operate their own aircraft there. On the other hand, the operating airline is likely to carry more passengers on board as the tickets are sold through more distribution channels than rather its own. A third positive impact can be found in the area of labour costs. Nowadays, labour costs represent quite a considerable part of an airlines operating cost. As can be seen in table 1.1, wages and associated costs of labour mostly account for 20 to 35 per cent of the airlines total operating cost Doganis (2006, p. 119). According to Doganis (2001), labour costs differ more between airlines in the same markets, unlike other costs as ground handling, fuel and airport fees. Iatrou (2004) gives two reasons how an airline alliance could help in reducing labour costs. First, the number of sales and ground personnel could be reduced by sharing offices at bases of another member airline, instead of maintaining its own offices across the globe. Second, it is argued that alliances facilitate member airlines to resort to the low-wage structure of its partners, for example cabin and cockpit crew, without saving on employee quality. Table 1 Wages and associated costs of labour as a percentage of total operating cost, 2002 North American European East Asian/Pacific SAS 34.4 Air France 33.5 Iberia 31.6 Delta 31.0 American 30.4 United 29.0 Northwest 28.1 KLM 26.4 Continental 26.1 Cathay Pacific US Airways 25.4 Air Canada 24.7 British Airways 24.3 Lufthansa* 23.4 SIA Japan Airlines Thai All Nippon Korean *Note: Lufthansa excludes maintenance staff Source: Doganis (2006, p. 119) Negative impacts on member airlines Although alliances have several positive effects on member airlines, being in an alliance could also have some negative impact on member airlines. First, it is argued that participating in an alliance could affect an airlines brand image (Kleymann Seristà ¶, 2004). This problem may be triggered by the variety of images within the alliance. The authors suggest that it could be possible that an image for an alliance is created that is unlike the image of any of the affiliated airlines. However, a concession between the images of the most dominant member airlines is considered to be more likely. Especially for smaller airlines it could be considered to be hard to adapt to the created image of the alliance (p. 120). A second negative effect could be conflicting agreements. Iatrou (2004) explains that it is likely that all alliances members use the same supplier. Before an airline accesses to an alliance, it usually has long-standing relationship with different suppliers, such as catering, Central Reservation System (CRS) and so on. The airline may find it difficult to rescind these contracts because of possible penalties as a consequence. Moreover, when an airline agrees on a new supplier, it will very likely have to invest time and money in getting familiarised with the new suppliers and their systems (p. 114). This brings us to a third possible negative effect. Increased costs for an airline could be considered as another probable negative impact on member airlines. Next to the regular subscription fee that a member airline has to pay, Iatrou (2004) mentions the so-called sunk-costs for the airline. These tangible expenses cover all adjustments that have to be made in order to meet the alliances requirements, like the aircraft interior. These investments are to be made to ensure effective alliance operations and to have consistent commitment of the member airlines to the alliance. Especially for relatively small airlines, these costs can be seen as a considerable investment, which might make them more dependent on the alliance (p. 115-116). 2. Impacts on non-member airlines 2.1. Positive impacts on non-member airlines During the last decades, several so called alliances have been formed in the airline industry. According to Stanford-Smith, Chiozza Edin (2002), a strategic alliance can be explained as any form of long-term cooperation between. 2.2. Negative impacts on non-member airlines As for the negative effects on non-member airlines, the tough competition can be considered as the main one. Bjà ¶rk (2002) explains the consequences of competition between allied airlines and non-partner airlines. The author argues that airlines that dominate a hub are likely to receive a greater number of slot allowances at their main hubs, which will probably lead to some anti-competitive concerns. Bjà ¶rk continues by giving the example of a measure initiated by the US Department of Transport (DOT) to reduce this anti-competitive situation. First of all, the US DOT has recognised that where service in the market is constrained by slot availability, a hub carrier with access to a large pool of slots has even greater availability to respond in entry in an anti-competitive way because the entrant will be unable to add capacity on its own. As a consequence, in order to stimulate competition in some markets, the US DOT has granted a restricted number of slot freedoms to new airlines that wish to compete in that particular market. Regrettably, the approach of the US DOT did not increase the competition in these markets. The reason given for this was that new players do not find it economically justified to enter into a market which is dominated by a single hub airline in order to participate (Young, 1999). Bjà ¶rk (2002) argues that this reasoning can be easily relied on the market shares of hub airlines. Figure 1 shows the airline market share at Amsterdam Schiphol Airport over 2011. It can be clearly seen that KLM Royal Dutch Airlines (KL) is by far the largest operator at Schiphol Airport with a market share of nearly 50 per cent. A hub carrier as KLM has created over the years a constant increase share of available slots at their hub airports, which according to the author are called fortress hubs (p. 29). However, congested hubs are not the only causes of anxiety on anti-competition. Figure 1 Airline market share at Amsterdam Schiphol Airport over 2011 based on air transport movements Source: compiled by the author; data source Schiphol (2011, p. 25) As airlines join together in alliances the aviation market will become more concentrated. This will increase the risk of collusion between the remaining market participants. At many of these airports governments have found it necessary to divide runway utilisation into time-defined segments known as slots and allocate them to airlines that wish to operate from the airport. 3. Impacts on airports 3.1. Positive impacts on airports The presence of airline alliances has various positive impacts on airports. As all members in an alliance have an extended destination network, because of the connectivity possibilities of their alliance partners, it can be argued that the number of transfer passengers at airports increases. Figure 2 shows that the number of transfer passengers at Amsterdam Schiphol Airport in the Netherlands has rose steadily from 18 million in 2004 up to 20.3 million in 2008 (Schiphol, 2011). It can be believed that the presence of the SkyTeam alliance, which uses Amsterdam Schiphol as a hub, has contributed to the growth of transfer passengers. As a consequence, this increasing number of transfer passengers has also a positive effect on the purchase of duty-free products in the airport shops. In order to increase the sales at airport shops, an airport can decide on opening speciality stores which may interest international transfer passengers. To come back on the example of Amsterdam Schiphol, in the past years it has opened more luxury duty-free stores as a reply to the increasing demand by especially Russian and Asian transfer passengers. This includes a Finest Spirits Cigars store and a store that focusses on the sale of various chocolate products. (Schiphol, 2011, p. 58). Figure 2 The number of transfer passengers (in millions) at Amsterdam Schiphol Airport (2004-2011) Source: compiled by the author data source: Schiphol (2012) 3.2. Negative impacts on airports In contrast with the various positive effects of airline alliances on airports, there are also some downsides. As airline alliances bring an increased number of additional traffic, congestion at an airport can be considered as a negative effect, particularly at peak times. Especially when there is an ineffective use of the airport infrastructure, it can be hard to harmonise the flights in a short timeframe (Dennis, 2001). At many of this type of airport it has been considered unavoidable to split the use of the runway into time-defined segments commonly known as slots (Bjà ¶rk, 2002, p. 28). According to IATA (2011), slots can be defined as a permission given by a coordinator for a planned operation to use the full range of airport infrastructure necessary to arrive or depart at an [à ¢Ã¢â€š ¬Ã‚ ¦] airport on a specific date and time (p. 11). Besides, most flights at hubs are scheduled in so called waves. In each wave, a large number of arriving flights in a short timeframe is followed by more or less the same number of departures, after allowing some time for reallocation of passengers and luggage. For example, figure 3 shows the wave system of Germanys flag carrier Lufthansa at Munich Airport, which consists of four waves during a regular weekday. Figure 3 Wave-system analysis, Lufthansa, Munich Source: Burghouwt (2007), p. 69 As airports do not have an unrestricted peak capacity, especially during such a wave, airlines are ought to adapt their schedules. Dennis (2001) discusses two main options for rescheduling. First, flights can be added to the borders of the present waves. Second, new waves can be developed to accommodate these additional flights. With regard to the number of connections, the first option is more likely to be chosen. However, while extending the current wave, the connection time will also increase. Figure 4 implies that a wave with approximately 50 aircraft is likely to be the best option. Passing this number could involve extra waiting time for passengers, which could result in an increased peak load on the terminal building (p. 2). A second negative impact on airports is the investment that airports have to make for alliances in order to accommodate seamless transfer connectivity. In order to reduce the Minimum Connecting Time (MCT) for passengers, airports have done some adjustments to their infrastructure. An example is Brussels Airport in Belgium, which upgraded their customs and immigration facilities to create a better flow of passengers transferring from a Schengen origin to a Non-Schengen destination. Some airports are not designed to accommodate traffic from airline alliances. For example, when an airport has multiple terminals that are not located near each other. This might take a passenger a long time to transfer when alliance partners are spread over multiple terminals, affecting the MCT as well (Dennis, 2001). Figure 4 Increase in connections with wave size (based on 60 arrivals/departures per hour and 30 minute minimum connecting time) Source: Dennis (2001, p. 2). Conclusion During the last decades, several so called alliances have been formed in the airline industry. According to Stanford-Smith, Chiozza Edin (2002), a strategic alliance can be explained as any form of long-term cooperation between

Management of Product Recall Issue in Food Business

Management of Product Recall Issue in Food Business Running Head: The Case of Nutritional Foods INTRODUCTION With many companies experiencing issues when it comes to public relations need major assistance changing time to time. Some given products are prone to a major loss of consumer trust given their nature, and food products are undoubtedly topping the list. Some given products are prone to a major loss of consumer trust given their nature, and food products are undoubtedly topping the list. Expectations of consumers when it comes to issues pertaining food safety is high, and they can rebel against taking in a product which shows signs of not being safe. Such situation is as the one facing Nutritional Foods with reports arising from different County Health officials of a possible food poisoning crisis. The procedure the company takes in the fallout of a possible case of food poisoning can wholly determine where a company’s future is headed to. CASE OVERVIEW The Nutritional Foods Inc. is experiencing possibly one of the most hard to deal with crisis, a company in its stated sector of work might have actually faced. With the reports arising from different counties about the claims of a possible food poisoning of consumers, with little kids reportedly affected. The company mandated two mangers to go survey the first two counties in which the first cases were reported, with two more managers being sent to the other two counties were same cases arose. Much information was sought out by the company, with aims to determine the batch numbers of the supposed products with the problems. On the same day at 7pm, more problems were reported and the company resorted to pulling back all of the batches of the products in context, from consumers yet to consume them and also from retail shops yet to sell them. A crisis Action committee meeting was convened early the next morning and considerations about inputting more steps towards redemption were stated . ETHICAL DILEMMA/ISSUE Ethical issues are very common in the corporate sector. Fred, who was the owner of a highly respected fresh juice producer company that specializes in the production of nutritional foods found himself in the wrong side of law when the firm’s apple products were targeted with poisoning claims. If I was the company consultant at the time, I would have detailed knowledge of tackling issues revolving around non pasteurized products, product distribution process and how the company’s growth and success is dependent on acceptance by consumers. If was working there at the time, I would be proactive when handling such issues by devising contingency plan that would mitigate these dilemmas before they arise. If I was privileged to be CEO of this company, I would have enforced fundamental measures that would ensure there is integrity in all the standard operating procedures of the firm. If my firm and integrity were put on the spot, I would form a philosophy encouraging pro-active ness. If the allegations are confirmed, I would remove all products from the company storage for further investigations to determine the cause and call a press conference to discuss the issue at hand with the public. The public have to be made aware that the company is worried about everyone and it is not only focused on profitability. The company can depict ethics when it convinces everyone that it will maintain safety and health standards. If the company does not adhere to ethical practices to consolidate its market base, it will have a bad reputation of producing contaminated products and this may taint its image in future. ALTERNATIVES The company has issued a recall of the product that has been affected, but is depending on primarily on the media to get the information to the public. The company may possibly carry on with that technique, since it estimates that almost 80 percent of the newspapers contain the story, however it may not be smart to presume that the consumers will obtain news in that manner and that manner only. The company is required broad in distributing the information not limiting it to just newspapers. An additional matter that needs to be addressed is how the company should treat victims of the poisoning. The company may decide to give no reimbursement to victims willingly, however as an alternative wait until the source of the poisonings is determined and whether the company is going to be held legally responsible. Instead of making a public proclamation offering reimbursement to victims, Nutritional Foods could approach victims confidentially and propose to pay their medical bills, or facilit ate in any way required. This kind of help could be kept a secret from the journalists and media and contracts could be made with each victim so they know not to speak of it. RECOMMENDATIONS Nutritional Foods Inc. is to take action to relay information, involving the recall of the dispatched products through various channels of the media. With such measures, the company will be enhancing their nearly spoiled reputation and also make strides towards ensuring that many of its targeted consumers get this information about the recall of its products. This whole step towards recall will be based on the ethical principle standards which states that a good for many must always come first, and that the public disposal of information through the use of web pages will indicate clearly the company’s intention of not wanting to hide the information from the consumers, making this an important component of the Ethical behaviors in business (Manuel, 2008). When it will be publicly known that an existing organization will do whatever to its ability to ensure all of its customers are protected from matters or issues that arise concerning their products. On my recommendations towards compensation of the affected, I would urge Nutritional Foods Inc. to get in touch with the victims on a one to one basis and reach an agreement on how they will compensate them and also settle their medical bills. This given approach despite of who is responsible for food poisoning is the ethical of choice (Manuel, 2008). Consumers who in our case bought the unpasteurized products with total confidence in us, and as a company obtained a good rep of natural foods which are of quality to the public. Nutritional Foods Inc. should establish best how they will compensate the affected consumers who were part of the food poisoning crisis. Given it is a company on the rise, its chances of surviving is high if it takes the stated procedures and executes them well to avoid making it look messier. FUTURE IMPLICATIONS for RECOMMENDATION The company is poised to make a good image of its products, regaining the confidence it had bestowed on its base of consumers ensuring there’s no conflict of interest or hostility between them and the consumers. Other businesses in the same industry won’t try to take advantage of the situation at hand facing Nutritional Foods Inc. maintaining the healthy relation existing in the market. Other industries will stick to the good ethics of carrying out business and will follow suit in terms of conveying information to their consumer’s in-case of any errors made by them concerning their products. CONCLUSION The expectation of consumers is that the food they consume is safe, and furthermore those who buy the unprocessed organic foods anticipate elevated level of safety and health. Nutritional Foods has tackled this predicament well so far, but a lot more still needs to be done. The company must keep on performing and running in the prospect of the public, giving as a great deal of information as it can about the conditions and keeping everyone up to date as to the cause and what Nutritional Foods is doing about it. The company also needs to evaluate its internal processes to make sure that it has a working environment where moral behavior is expected and guaranteed. Reference Manuel, N. (2008). A framework for ethical decision-making. Available at  http://www.scu.edu/ethics/practicing/decision/framework.html. Accessed 17 February, 2014.

The Marranos :: essays research papers

Marranos The term marrano refers to the Crypto-Jews from the Iberian peninsula, i.e. descendants of Jews who were forced to adopt the identity of Christians. The term marrano denotes in Spanish "damned," "accursed," "banned"; also "hog," and in Portuguese it is used as an opprobrious epithet of the Jews because they do not eat pork. The name was applied to the Spanish Jews who, through compulsion or for form's sake, became converted to Christianity in consequence of the cruel persecutions of 1391 and of Vicente Ferrer's missionary sermons. These "conversos" (converts), as they were called in Spain, or "Christà £os Novos" (Neo-Christians) in Portugal, or "Xuetes" in the Balearic Isles (from Catalan xua, a local pork concoction that it is said it was consumed in public by Xuetes to show how Christian they were), or "Anusim" (constrained) in Hebrew, numbered more than 100,000. With them the history of the Iberian Peninsula, and indirectly that of the Jews also, enters upon a new phase; for they were the immediate cause both of the introduction of the Inquisition into Spain and of the expulsion of the Jews from that country. The wealthy Marranos, who engaged extensively in commerce, industries, and agriculture, intermarried with families of the old nobility; impoverished counts and marquises unhesitatingly wedded wealthy Jewesses; and it also happened that counts or nobles of the blood royal became infatuated with handsome Jewish girls. Beginning with the second generation, the Neo-Christians usually intermarried with women of their own sect. They became very influential through their wealth and intelligence, and were called to important positions at the palace, in government circles, and in the Cortes; they practised medicine and law and taught at the universities; while their children frequently achieved high ecclesiastical honors. Classes of Marranos The Marranos and their descendants may be divided into three categories. The first of these is composed of those who, devoid of any real affection for Judaism, and indifferent to every form of religion, gladly embraced the opportunity of exchanging their oppressed condition as Jews for the brilliant careers opened to them by the acceptance of Christianity. They simulated the Christian faith when it was to their advantage, and mocked at Jews and Judaism. A number of Spanish poets belong to this category, such as Pero Ferrus, Juan de Valladolid, Rodrigo Cota, and Juan de Espaà ±a of Toledo, called also "El Viejo" (the old one), who was considered a sound Talmudist, and who, like the monk Diego de Valencia, himself a baptized Jew, introduced in his pasquinades Hebrew and Talmudic words to mock the Jews. The Marranos :: essays research papers Marranos The term marrano refers to the Crypto-Jews from the Iberian peninsula, i.e. descendants of Jews who were forced to adopt the identity of Christians. The term marrano denotes in Spanish "damned," "accursed," "banned"; also "hog," and in Portuguese it is used as an opprobrious epithet of the Jews because they do not eat pork. The name was applied to the Spanish Jews who, through compulsion or for form's sake, became converted to Christianity in consequence of the cruel persecutions of 1391 and of Vicente Ferrer's missionary sermons. These "conversos" (converts), as they were called in Spain, or "Christà £os Novos" (Neo-Christians) in Portugal, or "Xuetes" in the Balearic Isles (from Catalan xua, a local pork concoction that it is said it was consumed in public by Xuetes to show how Christian they were), or "Anusim" (constrained) in Hebrew, numbered more than 100,000. With them the history of the Iberian Peninsula, and indirectly that of the Jews also, enters upon a new phase; for they were the immediate cause both of the introduction of the Inquisition into Spain and of the expulsion of the Jews from that country. The wealthy Marranos, who engaged extensively in commerce, industries, and agriculture, intermarried with families of the old nobility; impoverished counts and marquises unhesitatingly wedded wealthy Jewesses; and it also happened that counts or nobles of the blood royal became infatuated with handsome Jewish girls. Beginning with the second generation, the Neo-Christians usually intermarried with women of their own sect. They became very influential through their wealth and intelligence, and were called to important positions at the palace, in government circles, and in the Cortes; they practised medicine and law and taught at the universities; while their children frequently achieved high ecclesiastical honors. Classes of Marranos The Marranos and their descendants may be divided into three categories. The first of these is composed of those who, devoid of any real affection for Judaism, and indifferent to every form of religion, gladly embraced the opportunity of exchanging their oppressed condition as Jews for the brilliant careers opened to them by the acceptance of Christianity. They simulated the Christian faith when it was to their advantage, and mocked at Jews and Judaism. A number of Spanish poets belong to this category, such as Pero Ferrus, Juan de Valladolid, Rodrigo Cota, and Juan de Espaà ±a of Toledo, called also "El Viejo" (the old one), who was considered a sound Talmudist, and who, like the monk Diego de Valencia, himself a baptized Jew, introduced in his pasquinades Hebrew and Talmudic words to mock the Jews.

The Importance of a Classical Education :: Teaching Education Philosophy

The Importance of a Classical Education This essay will attempt to answer three questions; what is classical education, why is it necessary in our day and what are its benefits? The word "classical" or "classic" is used in many contexts and often without specific meaning: Classic Coke, classical music, classic rock; however, classical usually means something that through time for various reasons has been proven worthy of our respect and interest. In music, the work of certain composers has been recognized as worth saving while that of others, even though perhaps popular in its own time, has been tossed aside to the dust-bin of history. The same is true of books; some books are more worthy of study than others because of the profundity and clarity with which they express the ideas that they contain. The study of the great books has been the backbone of good education for centuries. If you look at the books read by the intellectual giants of our culture, you find that there are particular books that come up again and again. These books were required of most schoolboys until the rise of Dewey and the democratization of education through the public school system. The public school system saw these books as elitist and not easily comprehensible by the masses and therefore not appropriate for public education. Another influence contributing to the demise of the great books was the demoralization of the Christian intellectual community. Most of the institutions of learning in this country were founded by Christians who saw it as their duty to conquer the intellectual arena for Christ. However, since the rise of secularism and especially since the humiliating defeat that biblical Christians saw at the Scope's Trial, the evangelical community has been in full retreat from the intellectual arena. Before the turn of the century, most institutions of learning were dominated by those who thought from a biblical worldview; however, this consensus quickly began to crumble and in 1925 at the Scope's Trial, through the public humiliation of William Jennings Bryan's creationism, academia as well as the general culture came to hold biblical Christianity as unworthy of intellectual regard. Even though the trial was in no way a rigorous debate of the creation issue, its effect on the Christian intellectu al community was nothing short of disastrous. From that point on Christians felt as though the intellectual community had humiliated them and, to return the favor, they abandoned the intellectual community in droves.

Lasers :: laser lasers

Since boyhood Einstein wondered about light. He would wonder about its speed, and how it works. In fact most of Einstein's work involved light in someway or another. (Guillen) So of course when S.N.Bose sent Einstein a paper on light being a gas consisting of photons, Einstein was very interested. Bose's paper was more like a bunch of questions. For example he noticed that photons didn't behave like statistical billiard balls. Billiard balls that are shaken on a table will eventual fall in some pocket. But photons tended to fall in to one "pocket" if another photon was ready there. (Forward) Einstein and Bose continued to work together on photons and noticed that one photon was indistinguishable from another photon. This let Einstein and Bose to conclude that strange behavior or photons was just statistical probability. (Forward) For example if I have the set of numbers {1,2,3} There are 6 subsets if each position is unique: {1,2} {1,3} {2,3} {2,1} {3,1} {3,2} but if position doesn't matter then there are only 3 subsets: {1,2} {2,3} {1,3} Since {1,2} is the same as {2,1} Using this idea and many other ideas Einstein laid the foundations for the laser by theorizing about the stimulated emission of radiation. His idea was that if you had a large number of atoms full of excess energy, and they were ready to emit a photon at some random time in some random direction, if a stray photon passed by, then the atoms are stimulated by its presence, and each atom may emit there photon early. This new photon would have the same direction and the same frequency as the original photon! Repeating this process with more and more photons each time is what gives us a lasers. (Forward) Einstein did not actual build the first laser. The first laser would not be created till 1954 by Townes. He called his invention a M.A.S.E.R. : Microwave Amplification by Stimulated Emission of Radiation. but skeptics read it as: Means of Acquiring Support for Expensive Research ! (Talbot) Townes first used Microwave energy to create resonance in ammonia, if the power input was really large, the ammonia would emit energy . Most people don't consider this a laser, since it was using Microwave energy to stimulate the atoms to change energy levels, but the maser did stimulate the research that lead to the laser.

Mary Shelley’s Frankenstein Essay

This is of course in the most suspending parts. The other times music is used it is usually based upon the feeling that Frankenstein has at that particular time during the film. The music is often orchestrated giving a very gothic feel to the film. There are also different sound effects used to give dramatic affect throughout the film. Many of these would obviously never have been heard but they are put in to give the suspense. Such as his fathers wails when his mother has just died. They to don’t sound like human screams. This is done to give the affect that everyone has a dark side or a little monster in all of them. Throughout the film there is a lot of special effects. These include the Monster’s and Elizabeth’s look when they are created, the lightning, the fire, the breaking of the iceberg, the creation of the monster and Elizabeth, and the Laboratory. Like most special effects they are used to give the film better scenes and to carry out the story line in an affective and realistic way. Of course different SFX are used for different parts of the film, obviously for different affects. For example the fire is used a lot through the film. This is done to give the perception of fire to be an evil monstrous thing also to give the affect of revenge. Fire is always seen as something evil or bad, so making the characters start or cause fires gives the idea that something is evil about this character or the person they are trying to burn is evil. This is used effectively near the end of the film, where Elizabeth is turned into a monster and then kills herself and burns the house down. I believe that this is done effectively because it isn’t so much that she is burning herself because of what she has become but why she was revived. After she dies she is bought back to life not because Frankenstein believes she shouldn’t had died but because he wants her and doesn’t want to leave her. Frankenstein doesn’t want to bring her back to life for her sake, he is being selfish and bringing her back to life is to do so for his benefit only. The fire shows the evil of Frankenstein’s selfish ways. Another instance of SPX being used is the Lightning that I have already mentioned. Of course the most important part of any film is the acting. The acting in this film is very good. Most of the actors are not A list celebrities but they are very well known. The only truly well known celebrity is Robert DiNiro. So the acting in this film was expected to be high. Many of the characters are very believable. The two most believable characters are the main two, Frankenstein and the Monster. Kenneth Branagh gives a very good performance as an almost insane scientist wanting to further the scientific gain of the world and for himself. Robert DiNiro also gives a very good role as a monster. He shows the pain and anguish the monster must go through to try and fit into society. In the end it he gives up and seeks revenge after his creator. This is very effective acting between the two. Other secondary characters give extremely good performances as relations, friends and acquaintances of Frankenstein or the Monster. Such as Elizabeth who gives a believable role as truly caring about her future husband when she visits him. Frankenstein’s father who also shows the role of a proud father when Frankenstein becomes a Doctor and saves live, much like he once did. There are other key characters such as the family the Monster stays with. They aren’t greatly important characters that the characters must interact with them but they are key to the development of the Monsters character. It develops the monsters bitterness towards man. Of course there are other characters in the story but none are important and realistic as the main characters that interact with the lesser characters. The acting in this film is extremely believable and very good. The film wouldn’t be anything without any direction. Kenneth Branagh, who also played Viktor Frankenstein in the film, also directed it. Some people hinted that Kenneth Branagh was selfish to be directing the film and play the main role, but this could also be noticed as commitment. Branagh wanted to get the best version of Mary Shelly’s Chilling novel and to do this he believed he had to play Viktor Frankenstein himself. This was done simply to get the best adaptation of the book that was possible. Branagh used different effects to bring across the film. The structure of the film was seriously thought about in the directing. The position of key characters throughout the film is very important. For instance the position of Frankenstein when they are in the lecture hall, he is placed above the rest as if he was above the rest of the people there. The look of Elizabeth when she visits Frankenstein, the town is very dank and has no colour, where as Elizabeth is wearing a very colourful dress. As if there was life coming towards Frankenstein. This is done very effectively on Branagh’s part. Of course Elizabeth does stand out very dramatically and it is very easy to spot. The film is also structured so that it is told as a story from Frankenstein and the little dramatic affects are put in to give the story some integrity and to boost the storyline. Frankenstein or the monster is always in the centre of the screen, to keep the focus on them. Different locations give them different areas to excel at. The Monster has brilliant moments in the Ice landscapes because it shows the strength and power of the character. Where as putting Frankenstein in the lab with the lightning scenes give the perception that Frankenstein is in fact going very mad. The directing is done in different scenes to make sure the acting, locations, SFX and use of camera’s compliment each other so that the film fits together and so that storyline is told to perfection. Other things make sure that the film fits together correctly. The speed of the narrative is very important and also the use of flashbacks. The narrative starts very near the start but it doesn’t actually go back to the narrating until it reaches the end of the film. It is almost don e in a way to introduce ad close the film. The narrative is only explained through the story that almost presents itself during the film. The flashback system is only used once throughout the film. This is done when Frankenstein first starts his story about the deadliest mistake he ever made as a scientist. This is very affective and goes back to when the Frankenstein first get granted the degree to become a doctor. This gives the effect of showing us Frankenstein’s opinion and memory of events that have happened. Also it gives an actual perspective of person’s events on what happened. The flashback system is not over used in this film like many other films do. There is other important cinematography in this film. Camera angles, colours and symbols are used to get the point across. Many of these I have mentioned in other paragraphs. Such as the colour of Elizabeth’s dress and the position of Frankenstein in the Lecture Hall, symbols such as fire are used throughout, to symbolise death and tragedy. There is other cinematography used but nothing as good as these examples. The film also presents visual affects on the different classes of people and the way the monster fits into it. The classes between Frankenstein’s family and the town’s people are very easy to see. There are peasants and the upper class that are very easy to seals. The differences between the servants in the Frankenstein’s family are quite different as well. There are the very poor servants, which seem a lot like the towns people. The next class of servants are normally dressed as butlers or middle class. The next class of servants are almost friends, e. g. the Nanny they have working there who is later killed because of the monster. When the Frankenstein’s witness this death it is almost like losing a member of their family. The monster does not fit into any of these classes. He like Frankenstein is an outsider and doesn’t belong anywhere. This is very easy to see when he interacts with the town’s people. They treat him very differently because of they way he looks and acts. It is very easy to see that everyone in the late 19th Century were treated on how they appeared. I believe that this film is a good one because it has a good adaptation of the book. The film is done very convincingly as a gothic horror film. It shows the pain and suffering of the different classes of people. It also shows the burden of discovery and the horrible truth that no matter how hard we try, the book will always be judged by its cover. The film was an average film at the film theatres. It has had a number of bad reviews but in my opinion it is a good film and one of the best Frankenstein adaptations. Show preview only The above preview is unformatted text This student written piece of work is one of many that can be found in our GCSE Mary Shelley section.

The Glass Menagerie (Critical Article #1)

Journal of the American Psychoanalytic Association http://apa. sagepub. com Tennessee Williams: The Uses of Declarative Memory in the Glass Menagerie Daniel Jacobs J Am Psychoanal Assoc 2001; 50; 1259 DOI: 10. 1177/00030651020500040901 The online version of this article can be found at: http://apa. sagepub. com/cgi/content/abstract/50/4/1259 Published by: http://www. sagepublications. com On behalf of: American Psychoanalytic Association Additional services and information for Journal of the American Psychoanalytic Association can be found at: Email Alerts: http://apa. agepub. com/cgi/alerts Subscriptions: http://apa. sagepub. com/subscriptions Reprints: http://www. sagepub. com/journalsReprints. nav Permissions: http://www. sagepub. com/journalsPermissions. nav Citations http://apa. sagepub. com/cgi/content/refs/50/4/1259 Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 jap a Daniel Jacobs 50/4 TENNESSEE WILLIAMS: THE USES OF DECLARATIVE ME MORY IN THE GLASS MENAGERIE Tennessee Williams called his first great work, The Glass Menagerie, his â€Å"memory play. The situation in which Williams found himself when he began writing the play is explored, as are the ways in which he used the declarative memory of his protagonist, Tom Wingfield, to express and deal with his own painful conflicts. Williams’s use of stage directions, lighting, and music to evoke memory and render it three-dimensional is described. Through a close study of The Glass Menagerie, the many uses of memory for the purposes of wish fulfillment, conflict resolution, and resilience are examined. T he place: St. Louis, Missouri.The year: 1943. Thomas Lanier Williams, age thirty-two, known as Tennessee, has returned to his parents’ home. He has had a few minor successes. Several of his shorter plays have been produced by the Mummers in St. Louis. For another, staged by the Webster Grove Theater Guild, he was awarded an engraved silver cake plat e. He has retained Audrey Wood as his literary agent and with her help had several years earlier won a Rockefeller fellowship to support his writing. But Williams’s Fallen Angels bombed in Boston the previous summer.Its sponsor, the Theater Guild, decided not to bring the play to New York. Since obtaining a B. A. from the University of Iowa in l938, Williams has been broke more often than not. He has no home of his own. He’s led an itinerant existence, living in New Orleans, New York, Provincetown, and Mexico, as well as Macon, Georgia, and Training and Supervising Analyst, Boston Psychoanalytic Society and Institute; faculty, Massachusetts Institute for Psychoanalysis; Assistant Clinical Professor of Psychiatry, Harvard Medical School.Submitted for publication October 12, 2001. Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 Daniel Jacobs 1260 Culver City, California. He has subsisted on menial jobs—waiting tables, op erating an elevator, ushering at movie theaters—tasks for which he is not f itted and from which he is often f ired. His vision in one eye is compromised by a cataract that has already necessitated surgery. And just before moving back home from New York, he was beaten up by sailors he took to the Claridge Hotel for a sexual liaison.Arriving home in 1943, Tennessee f inds many things unchanged: his parents, Cornelius and Edwina, remain unhappily married and their bitter quarrels f ill the house. Williams must again deal with the father he despises. Tennessee is pressured by Cornelius, who opposed his return home, to f ind a job. If Tennessee will not return to work at the International Shoe Company, as Cornelius advises, then he must earn his keep by performing endless domestic chores. But it is the changes in the family that are even more troubling. Williams’s younger brother Dacon is in the army and may be sent into combat after basic training.His maternal grandparent s have moved in because Grandma Rose, now conf ined to an upstairs bedroom, is slowly dying. Most important of all, Tennessee’s beloved sister, also named Rose and two years older than he, is no longer at home. She has in fact been at the State Asylum in Farmington since l937. Diagnosed schizophrenic, she has recently undergone a bilateral prefrontal lobotomy to control her aggressive behavior and overtly sexual preoccupations. During this stay at home, Williams visits Rose for the f irst time since her surgery.He f inds her behavior more ladylike, but she remains clearly delusional. The lobotomy, Williams realizes, was â€Å"a tragically mistaken procedure† that deprived her of any possibility of returning to â€Å"normal life† (Williams 1972, p. 251). â€Å"The poor children,† he will write of his St. Louis childhood, â€Å"used to run all over town, but my sister and I played in our own back yard. . . . We were so close to each other, we had no need o f others† (Nelson 1961. p. 4). Now, for Tennessee, Rose is irretrievably lost except as a memory, alternately recalled in pain and shut out in self-defense.Williams cannot abide his situation, thrown amid his parents’ bitter quarrels, the slow death of his grandmother, and the terrible absence of his sister. His only escape: the hours of writing he does every day in the basement of the family home. Here, between washing garage windows and repairing the gutters on the back porch, he writes the â€Å"memory play† that he f irst calls The Gentlemen Caller and then Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 DECLARATIVE MEMORY IN THE GLASS MENAGERIE The Glass Menagerie.The play is a brilliant, profound, and intricate study of declarative memory and its psychological uses. DECLARATIVE MEMORY Declarative memory is the system that provides the basis for conscious recollection of facts and events. But this system, we know, is not just a warehouse of information, of veridical memories of actual happenings that can be retrieved at will. Rather, like an autobiographical play, declarative memory is a creative construction forged from past events and from the fears, wishes, and conf licts of the one who is remembering.As Schacter (1995) notes, â€Å"The way you remember depends on the purposes and goals at the time you attempt to recall it. You help paint the picture during the act of recalling† (p. 23). It was just this complex and creative aspect of memory formation that led Freud (l899) to write that â€Å"our childhood memories show us our earliest years but as they appeared in later periods when memory was aroused† (p. 322). The stories we tell of our lives are as much about meanings as they are about facts. In the subjective and selective telling of the past, our histories are not just recalled, but reconstructed.History is not recounted, but remade. Williams understood this when he wro te, in the stage directions of The Glass Menagerie, that â€Å"memory takes a lot of license, it omits some details, others are exaggerated to the emotional value of the article it touches, for memory is seated predominantly in the heart† (p. 21). Williams has Tom Wingf ield, the play’s protagonist, tell us this. In his opening speech, Tom is both creative artist and unreliable rememberer: â€Å"I have tricks in my pockets. I have things up my sleeve. . . . I give you truth in the pleasant guise of illusion† (p. 2). In this way, Williams warns us from the play’s beginning that memory is a tricky business—f ickle, changeable, susceptible to distortion and embellishment, but always true to the current emotional needs of the rememberer. This paper is an exploration of the emotional needs of the rememberer—of Tom Wingfield, the rememberer in the play, and Tom Williams, the rememberer as writer. Williams could have chosen any f irst name for his protagonist. He chose his own to emphasize the loosening of boundaries between fact and f iction.It is as though he is telling us that autobiography—which is, after all, organized declarative memory—is Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 1261 Daniel Jacobs 1262 an elaborate f iction based on facts. And that f iction (the creative use of memory) is at its heart emotional autobiography. Both Tom Wingf ield and Tom Williams carry a burden of guilt for leaving the family, especially a disabled sister, and have a need to justify their behavior through the use of recollection.Both Toms live with deep sorrow alongside a wish to retaliate against loved ones who have disappointed them. Remembering is for both Toms, as for all of us, a coat of many colors, worn to set us apart from others as well as link us to them, to justify our choices, to take revenge on others, to compete with them, to kill them once again, or to resur rect them from the grave. The distortions and selective uses of memory are as manifold as the needs of the rememberer. Williams endows each character in his play with his or her own dynamic uses of memory.Amanda can escape the harshness of her current situation by evoking memories of a triumphant past. She is like a patient Kris (l956b) describes who â€Å"while the tensions of the present were threatening . . . was master of those conjured up in recollection† (p. 305). Amanda’s use of memories is aggressive as well, used as a weapon against her husband and children. In constantly contrasting the memories of a happy youth with the unhappiness of her marriage and the bleakness of her children’s lives, her anger and competitiveness take a brutal form. Unlike Amanda, her daughter Laura, who is crippled, has relatively few memories.But the memory of Jim, the gentleman caller, provides her a modicum of comfort. In a pale and pathetic imitation of her mother’s recollections of a house f illed with jonquils, she recalls that Jim gives her a single bouquet of sorts, the sobriquet â€Å"blue roses. † It is a nickname derived from his psychologically intuitive misunderstanding of the illness â€Å"pleurosis,† which had kept Laura out of school. She cannot compete with her mother in the fond memory department and retreats to the concrete but fragile satisfactions of her glass menagerie, where memory and imagination are safely stored—until Jim arrives.The gentleman caller is a man who lives in the present and seems to have little use for the past. It is the future to which he looks. In fact, one feels that memory of his high school greatness are both a satisfaction and a threat to him. For he, like John Updike’s Harry Angstrom (1960) will never experience the glory days of the past. He says as much to Laura: â€Å"But just look around you and you will see lots of people disappointed as you are. For instance, I had h oped when I was going to high school that I would be further along at this time, six years later, Downloaded from http://apa. agepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 DECLARATIVE MEMORY IN THE GLASS MENAGERIE than I am now. You remember that wonderful write-up I had in ‘The Torch’ † (p. 94). While Amanda revels in her triumphant past as a way of dealing with the present, Jim runs from his into the future. Seeing in the crippled Laura some aspect of his own feared limitations, he tries to help her overcome hers through encouragement and f inally a kiss. His inability to help her in the end may be a harbinger of his own failures.MEMORY AND LOSS Williams was aware also that declarative memory is paradoxical in that it resurrects and keeps alive in the present what is dead and gone forever. Referring to this paradoxical aspect of memory, he wrote that â€Å"when Wordsworth speaks of daffodils or Shelley of the skylark or Hart Crane of the delica te and inspiring structure of the Brooklyn Bridge, the screen imagism is not so opaque that one cannot surmise behind it the ineluctable form of Ophelia† (Leverich 1995, p. 536). The very presence of memory implies loss.Memory, if you will, is the exquisite lifelike corpse that both denies and acknowledges what has passed away. There is for all of us that double vision that memory imparts, one that at once has the capacity to help and to hurt. Declarative memory provides coherence and direction to our lives, but also reminds us that our path inevitably leads to disintegration and death. The daffodils recollected in tranquility are, at the same time, Ophelia’s garland. Amanda Wingf ield’s recollection of her past social triumphs only reminds us of how much time has passed and how many hopes have been dashed.Laura’s attachment to the happy memories of childhood innocence represented by her glass menagerie only makes harsher the realities of her adult life an d the bleakness of her future. Laura and Amanda are represented as having a choice between the infantile omnipotence of their past or a feeling of victimization in the present. When Amanda stirs up old memories as a hedge against the painful present and uncertain future, they are only partially effective. For the contrast between past and present, and the knowledge that what is past will never come again, lead only to further depression and anxiety (Schneiderman 1986).Similarly, behind Tom the protagonist’s memory of Laura at home lies, for Tom the author, the real Rose in a current state of institutionalized madness. Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 1263 Daniel Jacobs MEMORY AND RESILIENCE 1264 Davis (2001) points out the contribution declarative memory can make to resilience â€Å"through soothing af fects that are evoked in recalling a declarative memory of a loving relationship with a parent or other important pe rson† (p. 459).Such memories can grow directly out of warm relationships or â€Å"they can be achieved through retrieving and modifying memory of more problematic attachments† (p. 466). Davis illustrates his point with the example of Mr. Byrne, a subject in a longitudinal study of adult development. Davis focuses on the fact that in interviews at different times in adult life, Mr. Byrne’s memories of his father changed. At age forty-six, surrounded by a supportive community and family, Mr. Byrne had no memories of his alcoholic and neglectful father and did not think his father’s being a f ireman had inf luenced his own decision to become one.At sixty-six, retired and with his children grown, Mr. Byrne â€Å"had succeeded in ‘f inding’ his father inside as a sustaining inner object in declarative memory (p. 465). He did so through creating or retrieving warm memories of their times together in the f irehouse and by ‘misrememberingâ€⠄¢ the humiliating events of his father’s death so as to have a more positive image of him. Mr. Byrne’s father had committed suicide, alone and away from the family. But late in life, Mr. Byrne spoke frequently of his father’s having taken him to the f ire station when he was a youngster.He was now sure these happy times with his father had inf luenced his decision to become a f ireman himself. He placed his father’s death in a family setting and claimed to have been the one who found him. Davis points out that we often create the memories we need in order to maintain psychological resilience and mental health. Whatever good experiences Mr. Byrne did have with a diff icult and neglectful father seem to have been magnif ied through the lens of memory aided by imagination in the service of wish fulf illment.It is an example of what Kris (1956a) meant by describing autobiographical memory as telescopic, dynamic, and lacking in autonomy: â€Å"our autobiogra phical memory is in a constant state of f lux, is constantly being reorganized, and is constantly being subject to the changes which the tensions of the present tend to impose† (p. 299). In a way, Williams does the same thing by creating a memory play. Lonely, guilty over his sister’s fate, f inding St. Louis and his family unbearable, Williams begins writing a play that both ref lects his current Downloaded from http://apa. sagepub. om at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 DECLARATIVE MEMORY IN THE GLASS MENAGERIE suffering and at the same time assuages it. In writing The Glass Menagerie, he creates for himself one of those delicate glass animals— a small tender bit of illusion that relieves him of the austere pattern of life as it is lived in the present and makes it more bearable. He does so not by setting his play in the harsh realities of the present, too painful to write about, but in creatively altered memory. Sitting at his writing table, Wil liams reclaims his sister (Laura in the play) from the State Asylum and places her at home again.She is not frankly delusional and lobotomized. She is not even in Rose’s presurgical state of illness—a state of aggressiveness and talkativeness made worse by utter and unending vulgarity. Instead, she is portrayed as painfully shy, weak, and schizoid. And Cornelius, the real-life father he must face daily, is gone. Gone from the play for dramatic purposes to be sure: the play would lose a certain edge were there another breadwinner in the house. But in the play, Williams expresses his wish to reconstruct reality and, in this play of memory and desire, rid himself of the old man.Yet he is not entirely gone, for the father’s picture hangs on the wall, like Hamlet’s ghost, reminding us of a son’s ambivalent longing for a father. For in 1943 and throughout his life, Williams longed for some man to comfort and help him. In the play, his own wish for a supp ortive, loving father is transformed into the wish for the gentleman caller—someone who, unlike his father, will help Laura, satisfy Amanda, and, by his assuring presence, bless Tom’s own departure. He is not only the person Williams longs for, but also the one he longs to be, though he knows it is a role he can never play.It is no accident then that Jim, the gentleman caller, conveys an uncomfortable uncertainty about his future. He is, in a sense, the failed high school â€Å"hero,† with perhaps unrealizable dreams for the future. Jim already hints that the realities of life may not meet his expectations. He expresses resentment at having to work at two jobs: his work and his marriage, in which he has to â€Å"punch the clock† every night with Betty. He is f lirtatious with Laura, even going so far as to kiss her, showing a clear sympathy and attraction to women other than his f iancee.Tennessee’s father, a bitter man from a prominent Southern fa mily, a heavy drinker and a womanizer, while banned from the play, haunts it through his portrait and is resurrected in the f lesh in Jim, who is likewise disappointing and cannot be counted on and who, in the future, may come to resemble Cornelius. In his own life, Williams found and lost gentlemen callers hundreds of times over. And when he was Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 1265 Daniel Jacobs ot looking for the gentleman caller, he was being one, abandoning and disappointing those who loved him. The only one he was truly faithful to was Rose. Memories are like dreams or fantasies in that all the characters remembered at a particular moment may represent aspects of the rememberer’s own personality. Amanda’s steely will to survive is ref lected in Tom’s stubborn insistence on leaving. Laura’s fragility and submissiveness are what he must try to get away from in himself. Jim is the artist manque , the average joe Tom fears he will become if he doesn’t leave. THE STAGING OF MEMORY 1266Through the very structure of his play and the physical placement of its characters, Williams shows us that we cannot have a past without a present or a present uninf luenced by the past. He takes us back and forth in time as Tom Wingf ield literally steps in and out of the railroad f lat of his memory. He both ref lects on his past and participates in it, as his memories come alive. All the play’s characters slip in and out of memory, from present to past and back again, as they interact with one another, forging their current identity and present relationship in the anvil of a past they selectively remember.The stage set that Williams proposed concretizes the alternating forward and backward movement of time that takes place in the characters’ and in all of our minds. Tom’s opening soliloquy is stage front in the present and is often played outside the apartment. T he scene that follows is from the past, set in a dining room at the back of the stage, as if to emphasize the remoteness of memory. The f igures move backward and forward on stage, like memories themselves, coming into consciousness and then receding. Lighting is used in a similar way: to emphasize through spotlighting the highly selective and highly cathected aspects of memory.Lightness and darkness, dimness and clarity, play an important role in the ambience of the play, heightening the shifting play of memory. Williams is specif ic about the use of lighting in his production notes for The Glass Menagerie: â€Å"The lighting in the play is not realistic. In keeping with the atmosphere of memory, the stage is dim. Shafts of light are focused on selected areas or actors, sometimes in contradistinction to what is the apparent center. . . . A free and imaginative use Downloaded from http://apa. sagepub. om at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 DECLARATIVE MEMORY IN THE G LASS MENAGERIE of light can be of enormous value in giving mobile, plastic quality to plays of more or less static nature† (Williams 1945, p. 10). By commissioning an original musical score, Williams makes a deliberate attempt to evoke memory in members of the audience— memories of their own youthful stirrings, with all the fears and pleasures that attend them. Schacter (1996) notes that it is the memories of adolescence and early adulthood that are most often retained as we grow older.In asking Paul Bowles to write a new piece of music for his play, Williams, I think, is playing with the notion that memory is a new creation, similar to Bowles’s new music, Williams counts on the fact that while the score has never been heard before by the audience, it nevertheless feels familiar and seems a part of one’s previous experience. While the music may stimulate declarative memories of young adulthood in the audience, by its wordlessness it is designed to evoke no ndeclarative memory experienced as a feeling state (Davis 2001).By using a new score rather than relying on familiar tunes, Williams insists that memory is an invention of the present rather than a reproduction of the past. CONCLUSION 1267 So we have Tom Williams in his basement room writing about Tom Wingf ield. His protagonist is thrust both forward and backward in time: Tom Wingf ield in 1945 is ref lecting on a time before World War II began. Tom Wingf ield is Tennessee and not him at the same time. The memories Williams calls forth from his own experiences are transformed in ways that are not only dramatically but psychologically necessary for the author.Rendering the truth through selective and transformed memory, Williams creates his own glass menagerie to which he could each day retreat from the harsh realities of his life in St. Louis in l943. He creates fragile f igures he can control, moving them around the imagined setting of creative memory. In creating the play, he can always be near Rose. On the page and on the stage, the two are bound forever, like f igures on a Grecian urn. At the same time, the play is a justif ication for Tennessee’s departure from the family, a plea for understanding as to why he must leave the altered Rose (his castrated self) behind and pursue his own path.Freud (1908) pointed out how both in creative writing and fantasy â€Å"past, present, and future are strung together, as it were, on the thread of the wish that runs through Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 Daniel Jacobs 1268 them† (p. 141). In the process of writing The Glass Menagerie, the infantile wish to reunite with Rose, to rid himself of a hateful father, and to overcome the threats of castration that Rose’s situation and his own imply, f inds a solution to his torments.He does what Tom Wingf ield does in the play. He leaves. By May of l943, Tennessee is on his way to Hollywood to b ecome, for a short time, a screenwriter. But like Tom Wingf ield, Tennessee cannot leave his past behind. He will be as faithful to Rose as Tom Wingf ield is to Laura when at the play’s end he says, â€Å"I tried to leave you behind me, but I am much more faithful than I intended to be† (p. 115). Of their relationship, Rasky (l986) wrote, â€Å"Just as Siamese twins may be joined at the hip or breastbone, Tennessee was joined to his sister, Rose, by the heart. . . In the history of love, there has seldom been such devotion as that which Tennessee showed his lobotomized sister† (p. 51). Peter Altman, former director of Boston’s Huntington Theater, points out how with the writing of The Glass Menagerie Williams blows out the candles on an overtly autobiographical form of writing and moves on to create full-length plays less obviously reliant on the concrete details of his own history (private communication, 1997). While he could never psychologically free h imself from the traumatic events of his upbringing, artistically he was able to move ahead.By creating within and through the play his own glass menagerie, where the characters are f ixed and can live forever in troubled togetherness, he grants himself permission to leave St. Louis once again. Such a creation is akin to Kris’s description of the personal myth (1956a): â€Å"A coherent set of autobiographical memories, a picture of one’s course of life as part of the self-representation [that] has attracted a particular investment, it is defensive inasmuch as it prevents certain experiences and groups of impulses from reaching consciousness. At the same time, the autobiographical self-image has taken the place of a repressed fantasy . . † (p. 294). But in the patients Kris described, sections of personal history had been repressed and the autobiographical myth created to maintain that repression. In Williams’s case, he is quite conscious of the distortions in his â€Å"memory play,† but creativity serves a function for the artist similar to that served by personal myth in Kris’s patients. Williams is able to separate further from his family by keeping himself, through his memory play, attached to them forever, selectively remembered and frozen in time in a way painful, yet acceptable, to him.By writing the play, a visual representation of memory and Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 DECLARATIVE MEMORY IN THE GLASS MENAGERIE wish, Williams creates a permanent wish-fulf illing hallucination providing gratif ication and psychic survival (see Freud 1908). Of his sister Rose’s collection of glass animals, which was transformed into Laura’s glass menagerie, Williams wrote that â€Å"they stood for all the small tender things (including, I think, happy memories) that relieve the austere pattern of life and make it endurable to the sensitive.The areaway [t he alley behind his family’s f lat in St. Louis, where cats were torn to pieces by dogs] was one thing—my sister’s white curtains and tiny menagerie of glass were another. Somewhere between them was the world we lived in† (Nelson 1961, p. 8). What enables Williams to survive psychically and adds to his resilience in St. Louis in l943 is, I believe, his ability to create a space between the bitter realities of family life and his impulse to f lee and forget it all—to blow out the candles of memory.That space was his memory play, a space he inhabited daily through his writing, a space of some resilience where psychologically needed memories are created amid the pain and sorrow of the present. And in so doing, he reminds us all of the role memory plays in our survival. Our memories are like glass menageries, precious, delicate, and chameleonlike. We can become trapped by them like Laura and Amanda. Or, as in the case of Tennessee and Mr. Byrne, we can gain resilience from their plasticity that allows us to move forward psychologically.Williams wrote, in his essay â€Å"The Catastrophe of Success† (1975), that â€Å"the monosyllable of the clock is Loss, loss, loss, unless you devote your heart to its opposition† (p. 17). Tennessee felt that for him the heart’s opposition could best be expressed through writing. He felt that the artist, his adventures, travels, loves, and humiliations are resolved in the creative product that becomes his indestructible life. (Leverich 1995, p. 268) I think he might have agreed that while creative work plays that role for the artist, memory and fantasy are its equivalent for all of us.Williams knew that it is through the creative transformation of experience, sometimes in verse, sometimes in memory, that we draw nearer to that â€Å"long delayed but always expected something we live for† (1945, p. 23). REFERENCES 1269 DAVIS, J. (2001). Gone but not forgotten: Declarative and non-declarative memory processes and their contribution to resilience. Bulletin of the Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009 Daniel Jacobs 1270 Menninger Clinic 65:451–470. FREUD, S. (1899). Screen memories. Standard Edition 3:301–322. ——— (1908). 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New York: Doubleday. ——— (l975). The catastrophe of success. In The Glass Menagerie. New York: New Directions, 1975, pp. 11–17. 64 Williston Road Brookline, MA 02146 E-mail: [email  protected] com Downloaded from http://apa. sagepub. com at CALIFORNIA DIGITAL LIBRARY on September 9, 2009